1. schwarmerei1:


    thirty. damn. episodes.

    Hard to believe, yet here we are. But of course, there’s nothing going on behind the scenes. Nope — nothing to see here! (Literally.)

    I wonder if this has anything to do with how little the cast does media-wise and how little promotion CBS does for the show in general. Are all these things related?

  2. This is the only thing the writers can do: abuse Kalinda over and over again. God forbid she ever be in a positive relationship! Everything must be endlessly awful and negative. And Lana is so incredibly awful. She used her position as an FBI agent to bring an investigation on Kalinda, simply because Kalinda refused her. Pretty classic abusive behavior right there.

    (Source: thegoodwifeconfessions, via arathesane)

  3. melikeit2011:

    Can I have THAT Cary back? 

    (Source: miaswenja)



  5. Anonymous said: If you could just jump into your tv and change one thing in the good wife like idk for example tell Kalinda that Blake's gonna come and fuck her life up so she can do something about it beforehand, what would you do?


    Ooh, I’ve thought a lot about what I’d do differently if I were a writer,but not what I’d do if I got the opportunity to intervene in the story. I think your example is on the right track for me: I would definitely want to prevent the damage Blake ultimately ends up causing. But I think I’d go back to the source: I would somehow (I’d be able to be more specific if the show had been more specific about what, exactly, happened) prevent Peter and Kalinda from sleeping together. If I couldn’t do that, then I’d make Blake leave town before he gets the chance to talk to Kalinda or to Matan and make it so that Alicia is (and the audience is) forever blissfully unaware that anything ever happened. That reveal caused more trouble than it was worth, I think. And that’s where I get into talking about writing and problems I’d fix in the writers’ room, so I’ll stop here. 

    This! The reveal would’ve been fine if they had something beyond ‘Alicia is upset with Kalinda and that makes Kalinda sad’. Because first of all: no kidding. And second of all: what next? They can’t simply go back to be friends again, but there is still a lot to explore in terms of Kalinda and Alicia’s relationship.

  6. all-right-ramblers:

    GENEVA: [in a mocking tone] “Good job, Cary”. You know how long I’ve worked with him, and not a word?
    CARY: Good job, Geneva.
    GENEVA: Yup, it helps to have a penis.

    THE GOOD WIFE 2.12 — “Silly Season”

    (via fuckyeahcaryagos)


  7. I remember someone saying about Kalinda’s husband on The Good Wife that he was probably surprised at how powerful Kalinda’s friends in her knew life were. (This probably wasn’t an accident on Kalinda’s part, either, but insurance against her husband.) I couldn’t help but think of this when Sharon Raydor took down Rusty’s mom on the summer finale of Major Crimes. Rusty’s mom claimed that Captain Raydor didn’t know her, but it’s really the other way around. Rusty’s mom really has no idea how powerful Rusty’s friends are. Hell, she probably thinks she’s just up against Captain Raydor, when it’s really all of Major Crimes (Provenza getting that footage of the visit between Rusty and his mom and then most of the rest of the unit analyzing it) as well as Chief Taylor and whatever other friends in law enforcement these individuals have. There are literally institutions between Rusty and his mother now, as Captain Raydor made sure to point out in her visit.

  8. melikeit2011:

    i can’t  t r u s t  you

    That’s an appreciation post of Matt Czuchry’s beauty wasted into a storyline which is not worth his and Archie’s talent.

    (Source: supernatasha)

  9. schwarmerei1:


    Critics and fans alike have praised Archie Panjabi’s portrayal ofThe Good Wife’s sharp and quietly dangerous Kalinda Sharma. She even won an Emmy for the role. So why, over the past three years, have we seen Kalinda take a backseat on the show?

    The Good Wife has had quite the five-year run and doesn’t seem to be slowing down any time soon. It’s one of the few network shows that gets the critical acclaim that cable and Netflix dramas do. The show burst onto the primetime network television scene in 2008 as a story about a disgraced politician’swife, breaking ground with its bold tagline: “His scandal. Her story.” The “her” or “wife” in question is Alicia Florrick, played to nuanced and layered perfection by Julianna Margulies, who has become a regular at award shows for the role.

    However, the “her” could just as easily have applied to any of the women on the show — Alicia, Kalinda and Diane Lockhart (Christine Baranski) round out the female main characters. All have had their moments in the spotlight in seasons past. Characterization is something The Good Wife doesvery well, to the point that its guest starring roles are sought after. Wendy Scott Carr (Anika Noni Rose) and Elsbeth Tascioni (Carrie Preston) are just a few of the dynamic characters that have come in and out of The Good Wife’s revolving doors.

    In the past five years, we’ve watched Alicia Florrick grow from a shell-shocked underdog, forced to reenter the world of law and compete with a crowd of associates half her age, to a confident and independent competitor, who can go toe-to-toe with the most corrupt lawyers and politicians in insanity-laced Illinois. Meanwhile, she navigates her struggle between work and home with a calculated and fierce determination.

    Obviously, The Good Wife is first and foremost Alicia’s show. However, Kalinda’s role has decreased beyond a reasonable point, and it’s a shame. Kalinda Sharma was first introduced as the residential investigator at Alicia’s law firm, and she provided a lovely foil to Alicia’s controlled personality.

    Where Alicia’s morality was black and white (especially at the beginning of the show), Kalinda’s was grey. Where Alicia tended to back down and respond in politeness, Kalinda pushed forward, willing to break a few laws to enforce the law. Kalinda’s bisexuality also played a part in her storyline, where the writers played with the boundary between Kalinda’s opportunistic nature and her feelings for her partners.

    It’s not that the show has a bad history of utilizing its supporting characters. Main characters Alicia and Diane arguably interact less than any of the other characters on the series, but the show’s writers have shown that they are very capable of giving Diane a strong storyline. Through her political involvement, her own aspiration of becoming a judge and the struggles she faces in running a firm (and later running a firm by herself), Diane is certainly not a background character.

    On a show where professionalism was very carefully maintained, it was great watching Alicia and Kalinda throw back shots together every once in a while. Kalinda’s character grew a little in the first couple of seasons. It was only natural that she grew out of her role as Alicia’s foil/friend who encouraged her to loosen up a little and think about herself every once in a while.

    So, Kalinda and Alicia grew apart. Alicia found out that Kalinda had slept with Alicia’s husband and effectively ended their relationship. Alicia’s relationships with her boss Will Gardner (Josh Charles) and her husband Peter Florrick (Chris Noth) became the main relationships on the show. Alicia got promoted and left her firm to start her own firm.

    Meanwhile, Kalinda took an uncharacteristic backseat in the action, as the writers (disappointingly) didn’t seem to know what to do with her. Kalinda’s skills never faded — she continued to be portrayed as an individual excellent at her job — but she took supporting roles: Will’s buddy or Diane’s right-hand woman.

    It seemed hard to find a place for an investigator in all of the action—which is why it got confusing when a second investigator was added to the show, the younger and more optimistic Robyn Burdine (Jess Weixler). Kalinda did end up offering Robyn some mentoring, but Robyn soon left for another firm, leaving Kalinda…where?

    FULL STORY HERE AT TheVisibilityProject.com

    I endorse every.single.word! “The Good Wife” no longer gets a pass on diversity IMO since Kalinda is NOT a main character anymore. 30 episodes without a scene with the lead. 30 EPISODES!

    This is an interesting article and everything they say is on-point, but I find it interesting that they managed to complain about the lack of use of Kalinda while not mentioning that when she was used it was in poor taste. “More Kalinda” is a pointless mantra without “Better Kalinda”. They do ask that she be involved centrally in the show - which she definitely needs to be. Just an interesting way to phrase it. A key point they made is that the writers don’t know what to do with her, which is abundantly clear.

  10. There’s always flash backs!

    (Source: thegoodwifeconfessions, via arathesane)